Saturday, November 17 ~~ 7PM
Katherine Young makes electroacoustic music using expressive noises, curious timbres, and kinetic structures to explore the dramatic physicality of sound, shifting interpersonal dynamics, and tensions between the familiar and the strange. As an improviser, Katherine amplifies her bassoon and employs a flexible electronics set up for solo and collaborative performances. The LAPhil, Chicago Symphony Orchestra’s MusicNOW, Ensemble Dal Niente, Third Coast Percussion, Spektral Quartet, Weston Olencki, Nico Couck / Internationales Musikinstitut Darmstadt, Fonema Consort, and others have commissioned her music. She’s excited about coming-soon projects with Lucy Dehgrae for Resonant Bodies Festival, WasteLAnd and RAGE, Distractfold Ensemble’s Linda Jankowska, Callithumpian Ensemble, and Yarn/Wire. She’s releasing new music this year with Michael Foster & Michael Zerang, Wet Ink, and Amy Cimini (as Architeuthis Walks on Land). (Photo Credit Deidre Huckabay)
Plucky Plunkers (Jonathan Hannau and Kelly Sheehan) has ambiguous beginnings and ambiguous endings. Touting the banner as Chicago’s best and only toy piano duo they seek to engage audiences in riveting concerts that have been described as, “Pretty cool I guess”, and “Yea it was fun to listen to”. They collaborate regularly with composers in and around the city and seek to push the toy piano medium to some arbitrarily high level through eclectic programming and death-defying stunts. Jonathan is a proud Schoenhut artist who plays with not one but two upright toy pianos, each with its own unique sound. His comrade Kelley is a proud BC toy piano artist who plays on a two and a half octave baby grand. Unfortunately, this difference has created a bitter rivalry in the administration and their own pride and hubris keeps them from reaching godlike fame in the toy piano world.
Rebecca Elliott and Nicholas Davis are mediums, as all are, to a dimensionless, questionably sentient entity colloquially known as "Ellvis." Ellvis seems to be curious about the Anthropocene age of Earth, sometimes choosing to inhabit the human body.
Gather is an experimental music series bringing musicians from different scenes, backgrounds, practices, disciplines, and communities together for connection and artistic exchange. We curate this series with our attention toward introducing musicians who may not otherwise cross paths and whose works dialogue in compelling ways. By doing so, we hope to leave potential for collaboration and familiarity amongst different experimental music forms in Chicago. Gather is curated by Allen Moore, Nick Meryhew, and Rebecca Himelstein